Disciplinas

1st semester of 2025

• The Agony of Eros in Contemporary Society: Bonding and Empathy as Foundations of Human Society
• Cinema and Society: Theoretical and Historical Perspectives
• From Radio Drama to Audio Series and the Charm of Storytelling: The Fiction Podcast Scenario
• Television Studies and Transmedia Narratives
• Studies on Communication and Memory
• Media, Everyday Life and Social Stereotypes
• Narratives and Cultures of Capitalist Society: Historical and Contemporary Communication Aspects
• Power, Media and Digital Culture
• Traditions and Transformations of Documentary

2nd semester of 2025

• Analysis of Cultural Production in Podcasts
• Media Culture, Technology, and Society
• Latin American Cultural Studies, and Decolonial Perspectives
• Analysis Methodologies for Fiction Films and Television Products
• Research Method on Digital Platforms
• Media, Audience, and Participatory Culture
• Music and Media Culture
• Communication Theory from the Complexity Paradigm
• Image and Imaginary Theory

1st semester of 2024

• Cartographies and the Field of Communication: Approaches and Debates
• Studies on Communication and Memory
• Fundamentals of Communication Ecology
• Television and Transmedia Narratives
• Media Power and Digital Culture
• Contemporary Sociabilities: The Construction of Subjects Amid Traditional and Digital Media
• Traditions and Transformations of the Documentary

2nd semester of 2024

• Communication, Identities and Sociocultural Markers of Difference
• Media Culture and Configuration of Sound Languages
• Media Culture, Technology and Society
• Audience and Fan Studies
• Studies of Texts and Reading Practices in Vulnerable Territories
• Digital Communication Studies
• Methodologies for Analysis of Narrative Fiction Audiovisual Products
• Mediatization, Imaginary and Religion
• Music and Media Culture
• Media Production in a Digital Environment
• Media Theory
• Documentary Theory and Aesthetics

1st semester of 2023

• Digital Communication: Theoretical Methodological Approaches
• Urban Communication, Cities and Creative Economies
• Communication, mimesis and empathy
• Audience and Consumption Studies
• Theoretical and Methodological Sources for the Analysis of Music in Hybrid and Audiovisual Languages
• Memory, Communication and Culture
• Media and Affection
• Semiotics of and for Communication: theories and methods
• Contemporary Sociabilities: the construction of subjects in the midst of traditional and digital media
• Documentary Theory and Aesthetics

2nd semester of 2023

• Culture of Media and Configurations of Music and Sound in Audiovisual
• Latin American Cultural Studies and Decolonial Perspectives
• Digital Platform Studies
• Studies of Texts and Reading Practices in Vulnerable Territories
• Creative Industries and Platformization of Culture
• Media, Everyday Life, and Social Stereotypes
• Media Production in Digital Environments
• Theory of the Imaginary
• Traditions and Transformations of Documentary
• Media and Image Theories in Media Culture

1st semester of 2022

• Communication in Debates in Times of Digital Narratives
• Pop Culture and Digital Networks
• Fundamentals of Speech
• Imaginary, Intolerance and Social Groups
• Media Production in a Digital Environment
• Theories of Communication in Contemporaneity
• Documentary Traditions and Transformations

2nd semester of 2022

• Qualitative Analysis and Studies of the Image and Imaginary
• Communication, Identities and Sociocultural Markers of Difference
• Research Method in Social Networks
• Media and Everyday Life - The Contribution of the Media to the Construction of Stereotypes about Social Groups
• Music and Media Culture
• Sound and Radio Narration - Materiality in MPB lyrics
• Meaning Production in Communication - Theories and Methods for the Analysis of Languages and Discourses in the Interactions between Media and Social Groups
• Television, Transmedia and Fans
• Theories of the Imaginary - The Power of Imagination for the Social Processes of Resilience

1st semester of 2021

• Urban and Virtual Communication and Ethnographies
• Pop Culture and Digital Networks
• Theoretical and Methodological Sources for the Analysis of Music in Hybrid and Audiovisual Languages
• Fundamentals of Discourse
• Communication Research and Methods
• Interactive Digital Sound Narratives
• Theory of the Imaginary
• Documentary Theory and Aesthetics

2nd semester of 2021

• Social Network Analysis
• Content Analysis Applied to Media Products
• Communication, Cultural Studies and Intersectionalities
• Communication, Interaction and Meaning Production
• Television Studies and Transmedia Narratives
• Memory, Communication and Culture
• Creative Poetics in Musical and Audiovisual Languages
• Media Theory

1st semester of 2020

• Communication and Cultural Studies
• Fundamentals of Discourse
• Media and Media in the Context of Post-Truth
• Music and Media Culture
• Radio and Culture Brazil/ Spain
• Reflections on Culture: Conceptual Aspects; Analytical Keys and Methodological
• Media Theory
• Documentary Theory and Aesthetics

2nd semester of 2020

• Communication and Memory
• Communication, Culture and Media
• Media and Daily Life: The Construction of Stereotypes about Social Groups
• Media and Resilience
• Media, Art and Culture: Production, Dissemination and Re-appropriation
• Music(s) and Media Culture
• Media Production in Digital Environment
• Theories of Communication and Culture

1st semester of 2019

• Community Communication
• Communication and Urban Cultures
• Culture, Power, and Media in Context of Exception
• Television Studies and Transmedia Narratives
• Sources, Resources, and Methodological Principles for the Aesthetic Analysis of Audiovisual Languages
• Communication Ecology Fundamentals
• Discourse Fundamentals
• Scientific Research Methodology
• Media Production, Intangible Culture and Heritage
• Documentary Theory and Aesthetics

2º semester of 2019

• Communication and Memory
• Visual Communication and Urban Artifacts
• Fundamentals and Products of Popular Culture
• Methodology of Scientific Research
• Music and Media Culture
• Production of Scientific Texts
• Radio production as Intangible Cultural Heritage (Brazil-Spain)
• Semiotics of Political Communication: Media, Languages, Discourses
• Critical Theory of Cyberculture
• Theories of the Imaginary

1st semester of 2018

• Communication, Urban Life, and Cities
• Communicational Ecosystems and Cultural Processes
• Communication Fundamentals under the Vision of Complexity
• Research Methodology in Communication
• The Audiovisual Pact: Media Memory Systematization Processes
• Media Sphere and Representation of the Main Contemporary Politics
• Methodology of the Research in Communication
• Theories of Imaginary
• Tele-visuality and Trans-mediation
• Production of sense and narratives of Power in the Media and Communicational Processes
• Theory and Aesthetics of Documentary

2nd semester of 2018

• Communication and Empathy – Body Protagonism in Live Communication
• Communication and Study of Gender
• Communication, Electoral Processes, and Political Personalism: From the TV Media to the Social Networks
• Culture of Medias and Sound Languages Configurations
• Fundamentals of Communication Ecology
• Research Methodology in Communication
• Objects, Materialities, and Perception in Visual Communication
• Radio Production and Cultural Heritage
• Sense and Interaction in the Social and Media Processes: Theories, Methods, and Perspectives
• Theories of Communication and Culture

1st semester of 2017

• Culture, Power and Media in Exception Context
• Communication, Empathy and Sociability
• Television and Transmedia Narratives
• Technological Recodings in Visual Communication
• Communication and Urban Cultures: Points for a Debate
• Radio and Property: Brazil-Spain Immaterial Culture
• Media and Representation
• Documentary and Narrative
• Communication Research Methodology
• Media Sphere and Production of Contemporary Political Practices

2nd semester of 2017

3rd bimester

• Media, Myth and Resilience
• Memory and Nomadism in the Brazilian Audiovisual Culture of the 1950s: For a Reconfigured Orality
• Communication, Culture and Media
• Memory and Audiovisual
• Communication and Cultural Studies
• Communication and Gender: Studies on Feminism and its Discursive Formations
• Media Production, Culture and Politics

1st semester of 2016

• Communication and its relations with Culture and Memory
• Critical Introduction to the Cyberculture
• Fundamentals of Communication under the Perspective of Complexity
• Media Sphere and Production of Contemporary Political Practices
• Music, Mediations and Media Culture
• Production in Communication, Culture and Society
• Recodings Technology in Visual Communication
• Research Methodology in Communication
• Transmutations of Literature to Film and TV

2nd semester of 2016

• Audiovisual Narratives and Coding Objects: Production, Uses and Appropriation Aesthetics
• Communication, Community and Social Movements
• Communication, Gender and Representation
• Documentary Theory and Aesthetics
• Fundamentals of the Media Theory
• Memory and Nomadism in the Media Languages
• Persuasion Strategies and Manipulation in Media Discourse
• Radio and Culture: Production and Radio Memory Brazil - Spain
• Research Methodology in Communication

1st semester of 2015

• Communication, Gender and Power
• Fundamentals of Communication under the Perspective of Complexity
• Fundamentals of the Media Theory
• Media and Speech
• Media Sphere and Production of Contemporary Political Practices
• Music, Mediations and Media Culture
• Performance and Memory in Contemporary Brazilian Documentary
• Radio and Culture: Production and Radio Memory Brazil - Spain
• Research Methodology in Communication
• TV Settings

2nd semester of 2015

• Communication, Community and Social Movements
• Communication, Space and Image
• Cultural Studies and Communication
• Documentary Theory and Aesthetics
• Media Production, Culture and Politics
• Memory and Nomadism in Media Languages
• Mimetic Strategies in Electronic Media
• Reflections on the Culture and Power in the Media Context
• Research Methodology in Communication
• The Communication Theories in Rise of the Radio
• Theory of Materiality and Diachrony of the Media
• Time and Space in the Media Expressiona

1st semester of 2014

• Communication, Gender and Representations
• Fundamentals of Communication under the Perspective of Complexity
• Media, Myth and Resilience
• Music and Media Culture
• Reflections On the Culture and Power in the Media Context
• Research Methodology in Communication
• The Brazilian Culture by the Radio Waves and TV Antennas
• Theory of Materiality and Diachrony of Means
• TV Settings

2nd semester of 2014

• Communication, Community and Social Movements
• Intertextuality in Media Culture
• Media Discourse and Construction of Power
• Media, Culture and Politics Production
• Mediosphere – The Nature of Media Imaginary
• Memory and Nomadism in the Media Languages
• Research Methodology in Communication
• Settings of the Tv Journalism in Contemporary Culture
• Tecnovisual Recoding and Society
• The Prospect of Mediation in the Field of Communication

1st semester of 2013

• Communication Ecology and Culture Texts
• Communication, Gender and Representations
• Critical Introduction to the Cyberculture
• Fundamentals of Communication under the Perspective of Complexity
• Historical Configurations of Genders and TV Formats
• Production of Academic Texts
• Reflections On the Culture and Power in the Media Context
• Research Methodology in Communication
• Televisual Dramaturgy and Contemporary Narratives
• The Brazilian Culture and Production in Different Media and Communication Platforms
• Theory of Materiality and Diachrony of Means
• Time and Space in the Media Expression

2nd semester of 2013

• Communication, Community and Social Movements
• Media Discourse and Construction of Power
• Media Interactions in the Public and Private Scope
• Mediosphere – The Nature of Media Imaginary
• Production of Academic Texts
• Research Methodology in Communication
• Schizotypy: Communication, Image and Space
• Semiotic Arrays of Media Genres
• Technological Recoding in Visual Communication

1st semester of 2012

• Communication, Gender and Representations
• Critical Introduction to the Cyberculture
• Fundamentals of the Media Theory
• Media and Narratology
• Media Interactions in the Public and Private Scope
• Media, Myth and Resilience
• Research Methodology in Communication
• Televisual Dramaturgy and Contemporary Narratives
• The Brazilian Culture by the Radio Waves

2nd semester of 2012

• Cyberculture and Imaginary
• Intertextuality in Media Culture
• Media Culture and Barbarism
• Media Discourse and Construction of Power
• Mediosphere – The Nature of Media Imaginary
• Production of Academic Texts
• Research Methodology in Communication
• Tecnovisual Recoding and Society